Prairie Logic Concert Series Kicks Off with Paul Rudy on Wed., 6/18

This summer and fall, three performances will take place at Prairie Logic, the public art installation on the sixth floor parking garage roof just north of Cosentino’s Downtown Market (south of 12th Street, between Main and Walnut) The award winning artwork by Janet Zweig and el dorado inc is located on the green roof atop the parking garage. In addition to the artwork—a modified red box car situated amidst indigenous prairie grasses, Prairie Logic also serves as a performance stage for an intimate audience experience. This summer will see three performances by three very different local artists.
The first performance, by Paul Rudy, will be held on June 18 between 5:30 and 8:00 p.m. Rudy is an internationally recognized composer and professor of composition and coordinator of composition studies at the UMKC Conservatory of Music and Dance. He has held Guggenheim and Fulbright fellowships, and has won numerous prestigious awards. Rudy and guest planetary gong artist Heidi Svoboda will bring the sounds of the prairie to the center of Kansas City. Audience participants are encouraged to download sounds to mobile devices (link below), to help create a prairie soundscape during the performance, which culminates in a prairie storm
Wednesday, June 18
5:30 to 8:30 p.m.
On the garage green rooftop north of Cosentino’s Downtown Market
Free and open to the public (space is limited)
Please note:
  • No audience seating is available. The audience area is an intimate open gravel plaza designed for standing. Bring your folding chair if you want to sit.
  • You can download sounds to your mobile device and participate at the performance: https://soundcloud.com/rudyp/sets/prairie-logic-sounds
  • Because this is an outdoor venue, all performances are weather permitting. When possible, performances cancelled due to weather will be rescheduled at a later date. Check the Prairie Logic Facebook page for more information, www.facebook.com/PrairieLogic.
  • Parking is available in the garage with automobile entry from either Walnut or Main Street between 12th and 13th Streets (first 30 minutes free; $1.00 per 20 minutes after, $15 max). Pedestrians will find elevator entry at 1271 Main Street.

Art in the Loop exhibition set to open in The Box Gallery

“Art in the Loop: Celebrating Ten Years of Revitalizing Downtown KC with Public Art” is a new art exhibit that takes a new look at the organization’s successful projects and reveals its plans for the future.

The exhibition opens at 11:30 a.m. Friday and runs through July 25 at The Box Gallery, 1000 Walnut, in the Commerce Arcade.

Why is public art important to Downtown Kansas City?

How do local projects help emerging artists?

The exhibition will answer these questions and explain the detailed process of site-specific public art commissions –uncovering the complexity of the projects and the creativity of the artists involved.  The exhibition will include a display of artist sketches, project photographs, site plans, sculpture models and materials.  The show also includes a new video about Art in the Loop’s program through the voices of local artists and the foundation.  A new walking tour map of public art in the Downtown Loop will be provided free.

Founded in 2004, Art in the Loop is an established 501c3 nonprofit arts organization recognized for commissioning outdoor public art for Downtown Kansas City.  The organization’s strength stems from its unique partnership with three prominent Kansas City entities, the Kansas City Art Institute, the Kansas City Municipal Art Commission and the Downtown Council of Kansas City.  Common ground is found in a shared belief that the development of the downtown area and enhancing the cultural life of our city are directly linked.

Over the past decade Art in the Loop has partnered with a large number of local businesses, non-profits, foundations, arts organizations — and commissioned the following artists and architects:  Cortney Andrews, Alejandro Aptilon, Marcus Cain, Julia Cole, Dominique Davison, Laura DeAngelis, Rachelle Gardner, Dylan Mortimer, Amy Myers, Leigh Rosser, Ross Sawyers, Ascot Smith, Sean Starowitz, Jamie Warren, Davin Watne, and Allan Winkler.

As Art in the Loop moves into its second decade the mission of the organization continues to focus on commissioning permanent public art; however, the organization is also introducing temporary projects that invite artists to activity engage the community with temporary visual art installations and performances, or “creative placemaking.”

The exhibition opens on Friday and will run through Friday, July 25.  There is an opening reception event on First Friday, June 6th from 11:30 a.m.-1 p.m. (free and open to the public).  The gallery’s regular open hours are 8 a.m. to 8 p.m., Monday through Friday.

The Box Gallery is an 830-sq.-ft space that presents rotating exhibitions, often by partnering with local artists, collectors, universities, and cultural arts organizations.  Its mission is to serve a downtown audience of residents, workers, and visitors, with exhibitions that will enliven, enlighten and engage.  www.theboxgallery.org

For more information, please contact The Box Gallery director Robin Trafton by calling 816-760-7885, or email TheBoxGallery@towerproperties.com.  For more information on Art in the Loop Foundation, please contact Ann Holliday at the Downtown Council of Kansas City, 816-979-1072 or visit www.artintheloopcom.

 

UMKC’s Downtown Arts Campus Takes Big Leap Forward

Downtown and the University of Missouri-Kansas City together will take a major step forward today with the announcement that land has been acquired for a new UMKC Conservatory campus.

That step came at 8 a.m. Monday morning, as leaders from UMKC, the City of Kansas City, Missouri and the Downtown Council gather at the Kauffman Center for the Performing Arts to take the leap together. The Kansas City Star published the following editorial about this milestone moment in Sunday’s edition.

Now comes the harder part: raising $21 million in private donations over the next two years — adding to $27 million already counted — to leverage a hoped-for $48 million match from the state of Missouri to build the project.

As reported in The Star on Sunday, private donors have committed $6 million to buy a full block’s worth of properties from four owners just south of the Kauffman Center for the Performing Arts. For good reasons, leaders say that’s the ideal spot for a new complex that would house the Conservatory of Music and Dance, the first phase of the university’s long-range vision for a downtown arts campus.

As Chancellor Leo Morton and conservatory dean Peter Witte point out, the close proximity to the Kauffman Center will create endless learning opportunities for conservatory students and will help expand partnerships with schools and the city’s performing arts organizations. All that can be a major selling point in the effort to attract new students.

For another, the site — bounded by 17th and 18th streets, Central Avenue to Broadway — bridges the Kauffman Center and the Crossroads Arts District, contributing to that neighborhood’s identity as a creative melting pot connecting the arts, technology and entrepreneurship.

Rendering of the new recital space at the proposed UMKC Downtown Campus for the Arts.

Rendering of the recital space at the proposed UMKC Downtown Campus for the Arts.

Julia Irene Kauffman jump-started the university’s fundraising for this project nearly a year ago when she issued a $20 million challenge grant from the Muriel McBrien Kauffman Foundation, the principal funder of the Kauffman Center. An anonymous donor has pledged $1 million. Morton and Witte have been awaiting a site plan and plausible renderings to help hone their pitch to other potential benefactors. That work begins in earnest now.

Highlighting one growing aspect of the conservatory’s mission, Witte told The Star, “Noting that our jazz program could be on 18th Street is pretty intoxicating.” The implication, of course, is that the school can make new connections to the historic heart of Kansas City’s jazz legacy about a mile to the east.

University officials have traveled to and researched geographical alignments of music schools and professional concert halls in New York, Boston and even tiny Columbus, Ga., to make their case for academic and civic synergy. It makes a lot of sense, and it’s gratifying that city officials and business groups such as the Downtown Council have bought into the concept in a large way.

Donors and others will naturally have questions about the value of the concept and details yet to be determined. Morton is particularly persuasive that UMKC’s role as an arts center for the university system will be heightened by the downtown campus and that all students, not just those in the conservatory, will benefit from their exposure to arts education. And those with a stake in the growth of downtown have long championed the idea that a concentrated influx of hundreds of young people will add energy to the area and enrich the urban fabric.

Like the rising sounds of a Beethoven symphony, this project, one of the Chamber of Commerce’s “Big Five” civic priorities, is gathering steam. Morton is optimistic that the necessary private funds will be found and that Missouri lawmakers will follow through with a match under the two-year-old 50-50 plan. Harmony is certainly in order.

Downtown site proposed for UMKC Conservatory

In what is being hailed as a critical boost toward moving the UMKC Conservatory of Music and Dance to Downtown Kansas City, supporters have obtained an entire city block immediately south of the Kauffman Center for the Performing Arts.

The Kansas City Star reported the news on Sunday. Reporter Kevin Collison wrote:

The acquisition of the block southeast of 17th Street and Broadway by anonymous donors, a “group of angels” according to university officials, is a key real estate accomplishment for the project. But it will also help with the completion of fundraising.

 

UMKC officials say that between the $6 million donation of the land and the previous major pledges, they’ve raised $27 million toward a goal of $48 million in private donations. At that point, the university will ask state lawmakers to come through with matching funds for the $96 million conservatory plan.

“The next set of donors want to see what they’re buying here, what they’re investing in,” said Leo Morton, chancellor of the University of Missouri-Kansas City. “This will move this project forward.”

A formal announcement of the block that was purchased is scheduled for 8 a.m. Monday morning at the Kauffman Center for the Performing Arts.

The eventual move of the conservatory and its 620 students and 110 faculty to the site is also considered a strategic opportunity to further redevelopment in the Crossroads Arts District, and to reinforce the connection between the central business district and Crown Center, a longtime goal of downtown advocates.

“I know of no more strategic corner that we could be able to put together,” said Phil Kirk Jr., former chairman of DST Realty and an urban strategist who helped assemble the site.

“It took a group of donors, interested in the arts and education, willing to step forward to make this possible.”

Supporters of relocating the conservatory next to the Kauffman Center believe it would be a great artistic marriage. They point to a similar relationship between the Juilliard School and Lincoln Center in New York, and the New England Conservatory and Jordan Hall in Boston.

“That’s the ecosystem students will create their careers in,” said Peter Witte, dean of the conservatory.

Sean O’Byrne of the Downtown Council, which also helped assemble the property, pointed out that students at the conservatory will have a clear view of the grand glass atrium of the Kauffman Center.

“Students will be actually able to look up to this shiny icon on the hill and know someday they will be performing there,” he said.

The proposed relocation of the conservatory, first reported by The Star three years ago, received its initial major donation a year ago when the Muriel McBrien Kauffman Foundation, led by Julia Irene Kauffman, announced a $20 million challenge pledge. It joined a previous $1 million anonymous donation.

At the time the challenge pledge was made, however, two locations were being considered for the conservatory, both near the Kauffman Center, and no additional donations have been announced since then.

UMKC officials believe having a site identified and acquired will galvanize fundraising. The clock also is ticking on the Kauffman challenge, which has a three-year deadline.

“We’ve had a number of conversations with potential donors,” Morton said. “To have a solid site and eventually renderings will help us advance the cause.”

Assembling the block for the conservatory proved relatively easy, according to O’Byrne and Kirk.

The four property owners were amenable to selling, particularly because of its intended use. The properties are a building at 1701 Broadway, a school formerly operated by the Guadalupe Center at 1711 Broadway, a building at 315 W. 17th St. and a building at 1711 Central St.

“In my 20 years of commercial real estate, I’ve never been involved in such a wonderful transaction,” O’Byrne said. “Everybody was reasonable.”

The plan calls for the existing buildings, none of which is historically significant, to be demolished and replaced with a 190,000-square-foot conservatory building. The low-rise structure would include classroom and rehearsal space.

An architect has not been chosen, although Helix Architecture & Design has assisted in the planning.

The block will be controlled by an entity established by the Downtown Council called Block 4 Acquisitions. It would be transferred to UMKC once the university obtains the necessary funding. If the conservatory plan falls through, the buildings would still be cleared and the site made available for other development.

Another big advantage of the block chosen for the proposed conservatory is ample, nearby parking. It’s across 17th Street from the 1,000-space parking garage built by the city for the Kauffman Center.

City officials say the Arts District Garage is mostly empty when there are no performances. It is open to the public — and students — for $3 daily during day hours and $55 per month.

Opportunities also exist for development and redevelopment, including potential housing for students.

The block acquired for the conservatory borders a community garden and environmental showcase to the south called 18Broadway. The space was established by DST Realty in 2010 on the site of a proposed highrise condominium. After that project failed, DST essentially put the land on hold as a green oasis until another development opportunity arose.

Kirk said that DST land could be ultimately developed for future phases of what UMKC is calling its Downtown Campus of the Arts, or other associated development.

Jane Chu, president and CEO of the Kauffman Center, described the acquisition of the property as an “exponential” move for the conservatory proposal.

“Not only does it benefit that project but it sparks creativity for all the areas around it, including the performing arts center,” she said.

In 2011, the state approved legislation intended to match private dollars for university capital improvement projects, but no money has been allocated.

“I don’t see this funding path being more difficult than other projects,” Morton said. “It is up to us to get the private money in place.”

Public ARTwall is now serving FRESH BREAD

The Art in the Loop Foundation‘s new ARTwall was installed on Thursday, May 8, the on the south side of the Town Pavilion Garage at 13th & Grand.

The 2014 ARTwall entitled FRESH BREAD  by Sean Starowitz captures a moment in the artist’s community based art project also entitled FRESH BREAD.

In the words of the artist:

To “break bread” has come to symbolize sitting with someone, conversing, and understanding one another. In other words, FRESH BREAD isn’t just about selling fresh bread, but creating and facilitating a space to converse about our city.

FRESH BREAD activates the streets, un-used spaces, and diverse communities by popping up and creating an accessible, inviting environment that audiences can participate in. FRESH BREAD is a project that is a “pop-up” bakery that utilizes abandoned, unused urban spaces and/or vacant lots around the Kansas City metro area.

In KC, there are over 12,000 abandoned properties, and the areas with the highest concentrations of these abandoned properties also happen to be food deserts.  By popping up in some of these areas, FRESH BREAD will draw attention to these problems while putting high-quality bread directly into people’s hands.

Starowitz is a local artist and is the artist-in-residence at the Farm To Market Bread Company who was recently named a 2014 Charlotte Street Foundation Visual Art Award Fellow . He is a 2010 graduate of the Interdisciplinary Arts program at the Kansas City Art Institute and a 2012 Rocket Grant recipient. For more information about the artist, please visit his website: http://seanstarowitz.com/.

The ARTwall, a custom-designed billboard structure, designed for super-sized art rather than advertisements provides an opportunity for artist engagement in the revitalization of Downtown Kansas City. The permanent structure exhibits contemporary art produced as large-scale digital prints.

Financial assistance for this project has been provided by the Missouri Arts Council, a state agency, and with the generous support of Copaken Brooks, LLC.

For more information about the ARTwall or Art in the Loop Foundation, contact Ann Holliday, ann@downtownkc.org.

Millennials discover Downtown KC a friendly place to be

You can find them where there’s live music, trendy food, an affordable home and a friendly environment where they feel they can make a difference.

And in some very encouraging ways, both statistically and in the mysterious world of “buzz,” the Kansas City area is holding its own when it comes to appealing to the hot demographic called millennials. A study recently ranked us among the top 20 big U.S. metros when it came to adding young adults, according to a recent story in The Kansas City Star.

It’s not just about being hip. Attracting those people born roughly between 1982 and 2004 is considered vital to the metro’s economic future.

Reporter Kevin Collison’s story went on to say:

Just recently, MindMixer, an Omaha Web-hosting firm, announced it was moving to the Crossroads Arts District and creating 85 jobs, citing the area’s urban vibe and pool of tech-savvy people.

To help further that favorable impression, the Kansas City Area Development Council launched a talent recruitment initiative to help local companies sell the area to young potential employees.

Among its tactics is a scavenger hunt aimed at getting summer interns — brought to the area by big local corporations such as Hallmark, Cerner and Garmin — off the couch and discovering the charms of places including Brookside, Westport and the River Market.

Having more young people around also makes this a better place to live for all generations.

Mayor Sly James, whose streetcar push is particularly appealing to the millennials’ affinity for urban living, said keeping and adding that age group to the local mix was a formula for a better future.

“The value and importance is that these are the people who’ll be energizing us,” he said. “We need that creative, young class to keep us sharp and keep us on the edge as we rapidly change.”

When it comes to hard numbers, the area ranked 14th among the nation’s 51 metros with populations over a million when it came to adding young adults, according to a recent report from the Brookings Institution.

The Kansas City metro had an annual net gain of about 2,200 people in the 25 to 34 age group during the three-year period from 2009 to 2012. Though far below red-hot places such as Denver, which added almost 12,000 young adults each year, it ranked ahead of Atlanta, New York, Boston and Los Angeles.

The area also is doing well in the online universe of social media, that place where buzz is generated and many younger adults pick up their impression of places.

Travel + Leisure named Kansas City the 10th best city for hipsters in the nation — ahead of Seattle, Boston and Minneapolis — while the Huffington Post included the area among “20 Awesome U.S. Cities You Need to Visit in Your 20s” and Vocativ ranked us 21st among the “35 Best U.S. Cities for People Under 35.”

That’s not surprising to Chel O’Reilly, who grew up in New England and lived in Brooklyn — considered hipster-central by many of her generation — for a year before coming here.

“I came to Kansas City three years ago to visit two friends for four days and when I left, I had a job offer,” O’Reilly said. “The music is great, and the camaraderie and friendly people here are great.… I find it to be very welcoming.”

At age 35, O’Reilly considers herself on the cusp of the millennial generation, but she shares the interests often cited by young adults when it comes to where she wants to live.

“I love it that there’s a great art scene in Kansas City, the Charlotte Street Foundation and First Friday is amazing,” she said. “These are things I like to show off to people.”

One of the bigger draws listed by Vocativ, which bills itself as a “take-no-prisoners” online news source, was Kansas City’s affordability. The average monthly rent for a two-bedroom apartment here was $710, making the city the eighth cheapest place to live among the 35 cities that made the hipster list.

Adding to the inexpensive allure, Vocativ also found the seventh largest number of vintage clothing stores per capita here.

Living somewhere you can devote more time to your passions and less to paying rent is what appealed to Francisco Alarcon, a 31-year-old native of Spain.

He moved here last fall from Los Angeles after graduating from architecture school to work as a sports architect at Populous, but is an artist in his spare time.

“I was hesitant about the art scene here and I asked my friends in LA who told me Kansas City has one of the best art scenes in the U.S.,” he said. “It’s also cheap to live here.

“Making money in the creative world is a struggle. If you live in a city like New York, your rent is super-high. You don’t have the time to write or paint because you have to worry about paying the rent.”

Another architect colleague at Populous, Geoff Cheong, hails from Vancouver. After graduating from architecture school in British Columbia in 2007, he was invited by Populous to come to Kansas City for an interview.

“I didn’t know where Kansas City was,” the 30-year-old said. “On my first plane into town I was expecting the Wizard of Oz, wheat fields and tornadoes. I was pleasantly surprised to see it was lush and green and there was water.”

Cheong’s first home was a downtown loft, and he quickly discovered Kansas City was no Vancouver when it came to urban living. One of the missing ingredients was mass transit.

But with a car, Cheong enjoyed the ease of getting around the area. He now lives in a suburban apartment complex at Interstate 435 and Roe Avenue.

“I enjoyed slowing things down a little,” he said. “The (low) cost of living also was huge. Kansas City blows other cities out of the water.”

And in a surprising twist for a Canadian, he actually has more opportunities to play hockey here than he did in his hometown.

“It’s more affordable and there’s more rink time available,” he said. “I meet other Canadian transplants at hockey rinks.… I’ve lived here 6½ years now and I think that’s a credit to Kansas City.

“My friends in Vancouver ask when I’m moving back and I say I’m not.”

Alarcon also has found a welcoming place.

“I have a group of international expats and also artists,” he said. “It’s very diverse culturally and for me, it’s been very good.”

O’Reilly, the New England transplant, says its easy for millennials to find an “instant community” in Kansas City.

“Kansas City is rich with a lot of good people who open their arms to let more people in,” she said. “I don’t feel it’s a closed city.

“The tech and start-up community is fantastic, Google Fiber did a good job kick-starting that, and the Kauffman Center’s 1 Million Cups program is now in 32 cities.”

O’Reilly also belongs to a group of about two dozen younger adults who call themselves “Possum Trot,” an early historic name for the area. They include newcomers to the city as well as natives who gather regularly to socialize, discuss the city and invite speakers.

“It’s not an agenda-driven organization; it’s really about what’s happening in the city,” said Havis Wright, coordinator for the group. “It’s about familiarizing people who are new to the city and reacquainting people who’ve left and come back.”

Among those returnees involved in Possum Trot is Kathleen Bole.

The 25-year-old grew up in Prairie Village but left for graduate school at the University of Pennsylvania in Philadelphia in 2011. Bole also did internships in Washington and Chicago, so she knows a bit about what’s going on elsewhere in the nation.

“I packed my bags and moved East and didn’t think I’d come back,” she said.

But after graduating with a master’s degree in city planning in 2013, she began to think more fondly of her hometown.

“Kansas City doesn’t have a lot of things other cities have in the way of walkability and transit, but I like the work-life balance you can have here, which you don’t have as much on the coasts,” Bole said.

“Living in Philadelphia, I realized a young professional just coming out of school was not the easiest way of life, and you have a better quality of life here.

“A friend from D.C. visited me last night and she was astonished at how pretty it was, how nice it was and how cheap everything is.”

One of the biggest challenges facing Kansas City when it comes to attracting millennials is its an unknown quantity to most people around the country, Marcusse said.

“They think it’s a cow town or flyover place,” he said.

“A lot just don’t have a perception of Kansas City, and you’re starting from ground zero. Once they’ve been here, they fall in love. It’s just getting them here.”

Using the theme of “America’s Creative Crossroads” (KCCreativeCrossroads.com), the organization has developed marketing materials, both online videos and printed, aimed at appealing to millennials.

Attributes included the city’s music scene, restaurants and food trucks, the appeal of professoinal soccer with Sporting Kansas City, the tech scene and Google Fiber and, of course, the relatively low cost of living here.

One of the more fun initiatives is the scavenger hunt launched last year.

About 1,000 summer interns participated. Each received a booklet listing 11 areas of the metro from greater downtown and midtown, to southern Johnson County and the Village West area of western Wyandotte County.

Five different attractions were listed for each area, and participants were invited to find them, take photos and post them on Facebook to score points. Prizes were awarded based on the places explored.

“The idea was to give them an opportunity to see the city,” Marcusse said. “If they just stayed in their apartment, they may not know the city when it was time to think about a job.”

Looking forward, while Kansas City has done reasonably well attracting millennials, those interviewed agreed the community could do a much better job if it had more walkable neighborhoods and mass transit.

“I think the streetcar is a huge thing,” Bole said. “Knowing it was on the horizon meant a lot to me.

“I’m also someone who loves to walk and I’m used to walking a mile or more. Here, there’s so many dead zones which makes it feel less appealing.”

To liven things up at the street level, the Downtown Council has embraced what’s called “tactical urbanism.” It’s intended to be a low-cost way to show the possibilities of making the city a more enjoyable and engaging place.

For example, in 2012 design students from Kansas State University used inexpensive materials to temporarily transformed two blocks of Grand Boulevard into a narrower, more attractive street with wide sidewalks, landscaping and sidewalk cafes. The idea was to offer a glimpse at how a more liveable street could be created.

Mike Hurd, marketing director for the Downtown Council, said the new tactical urbanism being pursued by his organization is designed to create a downtown “eco-system” for millennials.

“What we find with millennials is a desire to see more activity on the streets and public spaces on an ongoing basis, not just big event nights,” he said.

This summer, the Downtown Council is planning on holding noontime events twice a month at Oppenstein Park at 12th and Walnut streets with food trucks and entertainment.

A plan also is evolving to hold monthly free concerts in the Crossroads Arts District on a Friday evening other than First Friday, the popular art gallery event.

Dave Scott, chairman of the tactical urbanism program, said the emphasis is on inexpensive ideas to improve the urban environment.

“We’ll win the battle if it’s a good place to live and work, and it’s fun and unpredictable,” he said.

The major reinvestments in making downtown more appealable plus the positive social media buzz has helped companies recruit new talent.

Bob White, director of international marketing at Populous, said his firm is finding it much easier these days thanks to the improvements that have occurred in the city.

“Ten or 15 years ago, it was extremely difficult for us to recruit young people,” he said. “It was frustrating for us and it was based on ignorance and things they had heard about Kansas City and the Midwest from other people.

“That’s flipped the last six or seven years. There is a groundswell, an undercurrent of young people, making this happen. People are less resistant and more open-minded.

“They’re saying ‘yes, I’ve heard there’s good things happening in Kansas City,’ hearing it from their peers that’s it’s worth a second look.

“We’re delighted by it.”

Join us for the 2013 ARTwall installation celebration on Aug. 30

Join the Art in the Loop Foundation for a fun night of bowling and camaraderie as we celebrate the 2013 ARTwall artist Jaimie Warren. Light refreshments and one drink ticket per person will be provided.

Reception Details:

Friday, Aug. 30
5 to 7 p.m.
Z-Strike Bowling
1370 Grand Boulevard

To register, click here.

Jaimie’s artwork entitled “Self-Portrait as a Woman in Picasso’s Les Demoiselles d’Avignon/Deceptions by Momma Bird” is currently displayed on the ARTwall on the south side of the Town Pavilion Garage at 13th and Main. For more information about Jaimie, the ARTwall and the Art in the Loop Foundation, download the fact sheet.

Financial assistance for the ARTwall has been provided by the Missouri Arts Council, a state agency, with the generous support of Copaken Brooks, LLC and the H&R Block Foundation.

More questions? Contact Ann Holliday, ann@downtownkc.org or 816-979-1072.

Library lecture, exhibit to feature art of iconic Kansas City buildings

Artist Glen Hansen has created shows featuring drawings and paintings inspired by the architecture of cities like Paris, Prague, and Venice.

Now the New York artist turns his pencils and brushes on Kansas City for The Kansas City Project, an exhibit on display beginning Thursday, June 27 and running through September 13, in the Guldner Gallery of the Central Library, 14 W. 10th St.

The show — underwritten by a grant from the Richard J. Stern Foundation for the Arts, Commerce Bank, Trustee — features 36 drawings and a half-dozen paintings of local buildings and their architectural and decorative details. The exhibit has been organized by Hansen in conjunction with the Library’s Public Affairs department.

Hansen will present and discuss his work at a special exhibit launch event at 6:30 p.m. next Thursday, June 27 at the Central Library. The nearby Aixios Brasserie at 1006 Walnut is offering a 15 percent discount for dinner that evening for those attending the Hansen talk.

Hansen began painting in oil in 1980 while attending the School of Visual Arts in Manhattan, where he now teaches. He became fascinated by the architectural details of ornately decorated buildings, specifically the cupolas, widow’s walks, and turrets of Victorian houses.

“The influence that this environment and architecture had on me,” he says, “became apparent as I produced three solo exhibitions of turrets, street clocks, and East Village cornices.” A 2001 solo show concentrated soley on representations of ancient Venetian sundials.

In 2012 the Library was given a Hansen painting of the Kauffman Center for the Performing Arts by the William T. Kemper Foundation, Commerce Bank, Trustee. The painting was commissioned as a part of the Kemper Foundation’s underwriting of a commemorative poster for the opening of the Kauffman Center.

At that time Hansen became interested in Kansas City architecture.

“The cityscape of Kansas City is filled with iconic architecture from the late 19th century to the present day,” he says. “My visual survey highlights historic architecture, but also makes reference to oddities like the TWA BuildingTown Topic Hamburgers, and the Strahm sign [on the Strahm Mailing Services building at 17th and Broadway].

“Incorporating the often overlooked completes the Kansas City landscape…This body of work celebrates and honors the vastness (and diversity) of Kansas City architecture.”

Admission is free to both the exhibit and the event. RSVP for Hansen’s talk at kclibrary.org or call 816-701-3407. Free parking is available in the Library District Parking Garage at 10th & Baltimore.

Dinner reservations, including the 15 percent discount at Aixois Brasserie, may be made at opentable.com or by calling 816-474-0000.

 

Mayor to christen KC FilmFest tonight

Mayor Sly James will be on hand this evening to help launch the 2013 edition of the Kansas City FilmFest at the Alamo Drafthouse Cinema at 14th & Main in Downtown Kansas City. More than 100 films will be shown at the Film Fest, which opens today and runs through Sunday.

Mayor James will speak at 6:15 p.m. today, just prior to the 6:30 p.m. screening of the local film, We Are Superman.

Of all the films in the FilmFest, about two-thirds of them are participating in competition.  But, in addition to the  competition, FilmFest organizers scoured the globe to find other great films that have not yet made it to Kansas City.

The competition is the oldest part of the Kansas City Filmmakers Jubilee, the nonprofit organization that presents FilmFest each year. In 1996, Jubilee founder Fred Andrews learned that Kansas City had an active and growing filmmaking community but there were few venues for filmmakers to show their work. As a result, Andrews launched the Kansas City Filmmakers Jubilee which held its first festival in 1997.

For ticket information and more information, visit the FilmFest online.

 

 

Boston Globe believes Downtown KC’s ‘heritage is hip’

Downtown  and Kansas City received some welcomed attention from The Boston Globe in its Sunday edition, Oct. 21 that is distributed to about half a million households.

Reporter Robin Soslow clearly loved her recent visit to Kansas City. Even her article’s headline reflected the positive review that was about to come our way: Kansas City, Mo., gives heritage a hip twist.

Several Downtown neighborhoods — including the City Market, Crossroads, 18th & Vine, Quality Hill and the Westside — along with parks, fountains, museums and the Kauffman Center for the Performing Arts all captured Soslow’s attention.

“Building on, not over, its rich past, Kansas City proves that progress and preservation can happily coexist. Here, heritage is hip,” Soslow wrote.

Here’s a sample of her prose and praise of the Crossroads:

“Crossroads galleries, cafes, clubs, and shops animate time-worn industrial buildings. Locals pour from lofts in splendidly restored brick-walled warehouses. Lines have formed at Cafe Gratitude since it opened in May. At Sherry Leedy Contemporary, I fall for an exquisite Kansas City Royals-blue gown; unfortunately, it’s doll-size and ceramic, as are the sensuous creatures by local artist Steven Gorman. Late night, the back door of Manifesto, a reincarnated speakeasy, leads to absinthe and savory pepper elixirs.”

To check out the entire article, go to:

http://bostonglobe.com/lifestyle/travel/2012/10/20/kansas-city-gives-heritage-hip-twist/5FpQJ2ZdSXfPt4jyDea2aP/story.html

What Makes A Great City? A Downtown Arts Campus

What Makes a Great City? A Downtown Arts Campus
Wednesday, September 5, 2012
 6:30pm @ Kansas City Public Library, Central Library, 14 W 10th Street

Imagine a Downtown Campus for the Arts with more than 600 music, dance and visual art students studying, exhibiting, performing, living and playing in Downtown Kansas City.

Imagine a campus that embraces many of Kansas City’s most respected cultural institutions, the Kauffman Center for the Performing Arts, the UMKC Conservatory of Music and Dance, the Kansas City Art Institute, and others.

Imagine the possibilities… and their beneficial impact on Downtown.

Join Peter Witte, Dean of UMKC Conservatory of Music and Dance, Jacqueline Chanda, President of Kansas City Art Institute, and Jerry Allen, The Cultural Planning Group and consultant to the Mayor’s task Force for the Arts, as they envision a future for the arts in Downtown Kansas City.  Mike Burke, chairman of the Mayor’s Task Force on the Arts, will moderate this discussion of the formal and informal connections between technology, the arts and creativity. The conversation will range from the practical to the visionary.

“In an era of the arts, how might UMKC’s students engage with a renewed city center?” asks Peter Witte, in a recent column in The Kansas City Star. “By some estimates, Kansas City has invested more than $6 billion in development since 2000. Of that, more than $1.57 billion was dedicated to arts, cultural and entertainment facilities. How do we activate these investments and ensure their vibrancy for generations to come?”

This panel discussion will be held on Wednesday, September 5, from 6:30 to 7:30 at the Kansas City Public Library Central Library, Helzberg Auditorium.

Art in the Loop Foundation, the Downtown Council of Kansas City, Kansas City Art Institute, Kansas City Public Library, the Municipal Art Commission of Kansas City and the UMKC Conservatory of Dance and Music will co-sponsor this event.

RSVP  to the Kansas City Public Library at http://www.kclibrary.org/event/vision-downtown-arts-campus or call 816-701-3407.

httpv://youtu.be/No1uItijeuE

UMKC releases studies of Downtown Arts Campus

A Downtown Campus for the Arts for the University of Missouri-Kansas City would improve educational opportunities for students in all fields, boost economic development for the region, enhance Kansas City’s ongoing arts renaissance and inject millions of dollars into the local economy over the next 25 years.

That is the conclusion of a series of studies commissioned by the university after a downtown arts campus was named one of the Big 5 goals for Greater Kansas City. These reports include a study of potential sites and costs, prepared by Helix Architecture + Design, Integra Realty Resources and HGA Architects and Engineers; an internal UMKC review of the potential impact of moving arts programs downtown on the university and its component parts; and an economic impact study conducted by the Mid-America Regional Council (MARC). The three studies, and a unified executive summary of all three, are available at http://info.umkc.edu/artscampus/impact-studies/

“When this idea was first broached, we had several fundamental questions we needed answered before we would move forward: Would it be better for the education of all of our students? Would it be good for the community? What would it cost?” said Leo E. Morton, UMKC Chancellor. “After reviewing these studies, we have our answers. We believe that this is the right thing to do, if the resources can be raised to make it happen.”

The sites and costs study recommends three potential sites and a phased move of the visual and performing arts schools over a 20+-year period. Under the “phasing” formula, the UMKC Conservatory of Music and Dance, which has the greatest need for increased space and improved facilities, would move first. Following in succeeding phases over 20 or more years would be the UMKC Theatre and the Kansas City Repertory Theatre in the second phase; and in a third phase, KCUR Radio and the UMKC Departments of Art & Art History, Communication Studies, and Architecture, Urban Planning and Design.

“It’s an idea worth exploring because the opening of the Kauffman Center for the Performing Arts will bring international and national attention to Kansas City in the arena of the performing arts,” said Warren Erdman, 2011 chairman, University of Missouri Board of Curators, and executive committee member of the Downtown Council of Kansas City.

“This is excellent news, and sets the stage for the next steps in our Big 5 goal to relocate the university’s arts programs to a new and exciting downtown location. These three studies were crucial to the first phase of this initiative, and I compliment Chancellor Morton on the thorough and expeditious process the university has followed,” said Jim Heeter, president and CEO, Greater Kansas City Chamber of Commerce. “This ‘Big Idea’ can become a reality, and I anticipate strong community support for the move.”

Costs of the move were pegged by the studies at a range of $152 million for the most basic “core” programs of each department, to $272 million for a “full” range of programming options, such as a new 500-seat theatre for the Kansas City Rep.

The MARC economic impact study forecast a range of $375 million to $442 million in increased Gross Domestic Output over 25 years, versus what would take place without creation of the new campus.

One of the key impacts on the university would be creating opportunity for growth of non-arts programs on the Volker campus. The university’s strategic plan calls for increasing enrollment by one-third by 2020, from 15,000 to 20,000 students, primarily through growth in the School of Computing and Engineering, School of Biological Sciences, School of Education, School of Nursing, College of Arts and Sciences, and the Bloch School of Management.

Moving arts students to the hub of cultural activity in and around the Crossroads District would expand opportunities and creative synergies, while placing more than 700 students and faculty in the daily environment of the district.